An Evening of Mexican Song by the Cenote
Ecos de México is a chamber concert built around one idea: to hear Mexico through its music. It runs from 6 to 10 PM at Vesica's Santuario, the venue's setting for live classical and chamber performance in the Uptown jungle. The programme reinterprets pieces from the country's musical memory for three instruments — harp, violin and piano. It arrives in the season of Mexican Independence, and the whole night is shaped as a celebration of Mexican identity. This is not a DJ set or a party; it is a seated concert where guests are asked to keep the silence and let the music carry the room.
Harp, Violin and Piano
Three musicians lead the night. Paco Domínguez, from Mexico, plays harp. Sofía Lych, from Ukraine, plays violin. Stasia Hedy, from Ukraine, plays piano. The trio is joined by surprise guests across the evening. Together they take a repertoire that spans folk, tradition and classical writing and give it a new shape through their three instruments — the kind of pieces most people in the room will know by heart, heard in an arrangement they have not.
A Repertoire You Already Know
The programme moves across generations of Mexican music. It draws on Manuel M. Ponce, one of the country's central classical composers, and reaches into songs written by José Alfredo Jiménez, Chavela Vargas, Juan Gabriel and Luis Miguel. Highlights on the night include Huapango by José Pablo Moncayo, La Bikina, and México en la piel. The through-line is recognition: songs and composers that have marked whole generations, reworked so you listen to them again rather than simply hear them go by.
The Santuario Setting
Vesica is an open-air cenote club and wellness sanctuary in the Mayan jungle north of Tulum town, built around two natural freshwater cenotes. By day it runs as a slow social club — daybeds along the water, hammocks, farm-to-table food from a kitchen that cooks over open wood fire with regional Yucatecan ingredients. Concert Nights use the same jungle grounds after hours, turning the sanctuary into a room for live music where nature, community and performance sit together. Past editions have taken the same seated approach, including a night of Beethoven and Brahms played by an international violin, cello and piano trio.
Tickets and Seating
Seating is limited and varies by ticket type, so what you can access depends on the tier you hold. Late arrivals may be subject to availability or asked to upgrade, which makes arriving on time the safest way in. Because the room is small and the seating is set, it is worth securing your place ahead of the night.
Getting There and Arriving On Time
Vesica sits in the jungle in Uptown, a few minutes' drive north of Tulum town, with free parking on site. You check in at the concierge at the front, then walk a short jungle path to the water. Doors open before the concert start time, and check-in runs at the concierge, so give yourself room before the music begins. Arrive on time to make entry smooth and to keep your place, since seating is limited and late arrivals depend on availability. Book your spot through this page.